Julia Rommel
b. 1980, Salisbury, MD
Lives and works in Brooklyn, NY

EDUCATION
2005 MFA, The American University, Washington DC
2002 BS, University of Richmond, Richmond, VA
   
SOLO EXHIBITIONS
2016 Man Alive, Bureau, New York, NY
  A Cheesecake With Your Name On It, Overduin & Co., Los Angeles, CA
2015 Two Italians, Six Lifeguards, The Aldrich Contemporary Art Museum, Ridgefield, CT
  Bureau at Art Basel, Statements, Basel, Switzerland
2014 Girl With Silver Rings, Sorry We're Closed, Brussels, Belgium
  The Little Match Stick, Bureau, New York, NY
2013 Mother Superior, Gaudel de Stampa, Paris, France
  Bureau at Frieze NY, Frame section, New York
2012 Delaware, Bureau, New York, NY

SELECTED GROUP EXHIBITIONS
2017 Milwaukee Collects, Milwaukee Art Museum, Milwaukee, WI
2016 Zombie Formalism, ca. 1970/2016, Mitchell Algus Gallery, New York, NY
  The Congregation, Jack Hanley Gallery, New York, NY
  Thought Patterns, Deborah Ronnen Fine Arts, Rochester, NY
  In The Making, Luxembourg & Dayan, New York, NY
2015 Intimacy In Discourse: Reasonable and Unreasonable Sized Paintings, SVA Chelsea Gallery,
  New York, NY
 
Now I See the Secret of Making, Lora Reynolds Gallery, Austin, TX
  This Room, Klaus von Nichtsaagend, New York, NY 
  Space Between, The FLAG Art Foundation, New York, NY
  Rudolf de Crignis, Imi Knoebel, Julia Rommel, Bill Walton, Shane Campbell Gallery, Chicago, IL
2014 Seven Reeds, Overduin & Co, Los Angeles, CA
  Where Were You?, Lisson Gallery, London, United Kingdom
 
Stars & Stripes: American Art of the 21st Century from the Goldberg Collection, Bathurst, Australia
  Regional Art Gallery, Bathurst NSW, Australia
  No Ground But Say Ground, Halsey Mckay Gallery, East Hampton, NY
  The Retired Architect, Wallspace Gallery, New York, NY
2013 Infra-Mince, Figge von Rosen Gallery, Berlin, Germany
  Correspondences: Ad Reinhardt at 100, TEMP Art Space, New York, NY
  The New Sincerity, Lora Reynolds Gallery, Austin, TX
  You Start to Want to Die, cur. Clay Hapaz, Doyers Street, New York, NY
  Freak Out, Greene Naftali, New York, NY
  Good Luck and Safe Journey, T293, Naples, Italy
  Nothing Turned Itself Inside Out, White Flag Projects, St. Louis, MO
  Monsalvat, Bureau, New York, NY
2012 Out of the Blue, Bortolami, New York, NY
  Bureau at FIAC, Le Grand Palais, Paris, France
  Ugly Broke Sober, Kathleen Cullen Fine Arts, New York, NY
  Group Show, West Street, New York, NY
2011
Eric Palgon, Julia Rommel, Dan Shaw-Town, West Street Gallery, New York NY
  Addicted to Highs and Lows, cur. Rich Aldrich, Bortolami, New York, NY
  Reverie, cur. Stephen Westfall, Zürcher Studio, New York NY
2010 The Curse of the Pharaohs, cur. Shaun Krupa, St. Cecilia Convent, Brooklyn, NY


SELECTED PRESS AND PUBLICATIONS
2016
  Phong Bui, 'Julia Rommel Man Alive,' The Brooklyn Rail, December 6
  William S. Smith, 'Julia Rommel,' Art In America, December 1
  Will Heinrich, 'What to See in New York City Galleries This Week,' The New York Times
  November 24
  Kathleen Madden, ‘Julia Rommel,’ Vitamin P3: New Perspectives in Painting, pub. by Phaidon
  Press Limited, London
  Keith Varadi, ‘Review: Julia Rommel,’ Spike Art Quarterly, p. 197, Spring 2016
  Susan Hodara, ‘Painting Overtakes Pixels in Aldrich Museum Exhibition,’ The New York Times
  February 18
2015 Feelings: Soft Art, Skira Rizzoli, New York, NY, November 3
  Julia Rommel, Around Woman, Bureau, New York, May
2014 Piero Bisello, 'Julia Rommel's intimate conversations on definite at Sorry We're Closed,
  Brussels', Conceptual Fine Arts, November 17, 2014
  Ed. by Lisa Girault, Stars + Stripes: American Art of the 21st Century From the Goldberg
  Collection, exhibition catalog, Bathurst Regional Art Gallery, Bathurst NSW
  Michael Wilson, 'Julia Rommel,' Artforum, May
  Rosenberg, Karen, 'Julia Rommel: The Little Match Stick', The New York Times, March 6
  Bacon, Alex, 'Julia Rommel: The Lttle Match Stick', The Brooklyn Rail, March 4
  Smith, William S., "First Look: Julia Rommel", Art in America, February
2012 Peetz, John Arthur. "Critic's Pick", Artforum.com, May
  'Talking Monochrome Blues,' The Painted Word, June
2011 Saltz, Jerry. “Addicted to Highs and Lows”, New York Magazine, April


FELLOWSHIPS & RESIDENCIES
2018
2015


PUBLIC COLLECTIONS
Albright-Knox Art Gallery
Museum of Modern Art, New York
Whitney Museum of American Art